Nuclear arms in the Middle East
Israel is attacking the Iraqis
The Syrians are mad at the Lebanese
And Baghdad does whatever she please
Looks like another threat to world peace
For the envoy
Things got hot in El Salvador
CIA got caught and couldn’t do no more
He’s got diplomatic immunity
He’s got a lethal weapon that nobody sees
Looks like another threat to world peace
For the envoy
Send the envoy
Send the envoy
Whenever there’s a crisis
The President sends his envoy in
Guns in Damascus
Oh, Jerusalem
Nuclear arms in the Middle East
Israel is attacking the Iraqis
The Syrians are mad at the Lebanese
And Baghdad do whatever she please
Looks like another threat to world peace
For the envoy
Send the envoy . . .
Send for me
The entire list of Rolling Stone Top 10 gitarists includes:
Jimi Hendrix
Eric Clapton,
Jimmy Page,
Keith Richards,
Jeff Beck,
B.B. King,
Chuck Berry,
Eddie Van Halen,
Duane Allman
Pete Townshend
Pete Townshend of The Who writes, “I feel sad for people who have to judge Jimi Hendrix on the basis of recordings and film alone; because in the flesh he was so extraordinary…When he would walk toward the stage, nobody would really take much notice of him. But when he walked off, I saw him walk up to some of the most covetable women in the world. Hendrix would snap his fingers, and they followed him. Onstage, he was very erotic as well…There was a sense of wanting to possess him and wanting to be a part of him, to know how he did what he did because he was so powerfully affecting.”
The new documentary film ‘Living In The Material World’ directed by Martin Scorsese and dedicated to Beatles and especially George Harrison has been released by BBC. According to WIKI this is “Harrison’s story from his early life in Liverpool, the success of Beatlemania, his travels to India, the influence of Indian culture in his music, and his relevance and importance as a member of The Beatles. It will consist of previously unseen footage and interviews with Olivia and Dhani Harrison, Paul McCartney, Ringo Starr, Yoko Ono, Eric Clapton, Jeff Lynne, Eric Idle, Phil Spector and Tom Petty.”
Yes, all of us are waiting for the miracle which will come. This is truth. But you know very often waiting and preparing to face a miracle you dont see that the miracle may be very close to you but you just cant take measure, appraise it. LEONARD COHEN. WAITING FOR THE MIRACLE.
Baby, I’ve been waiting,
I’ve been waiting night and day.
I didn’t see the time,
I waited half my life away.
There were lots of invitations
and I know you sent me some,
but I was waiting
for the miracle, for the miracle to come.
I know you really loved me.
but, you see, my hands were tied.
I know it must have hurt you,
it must have hurt your pride
to have to stand beneath my window
with your bugle and your drum,
and me I’m up there waiting
for the miracle, for the miracle to come.
Ah I don’t believe you’d like it,
You wouldn’t like it here.
There ain’t no entertainment
and the judgements are severe.
The Maestro says it’s Mozart
but it sounds like bubble gum
when you’re waiting
for the miracle, for the miracle to come.
Waiting for the miracle
There’s nothing left to do.
I haven’t been this happy
since the end of World War II.
Nothing left to do
when you know that you’ve been taken.
Nothing left to do
when you’re begging for a crumb
Nothing left to do
when you’ve got to go on waiting
waiting for the miracle to come.
I dreamed about you, baby.
It was just the other night.
Most of you was naked
Ah but some of you was light.
The sands of time were falling
from your fingers and your thumb,
and you were waiting
for the miracle, for the miracle to come.
Ah baby, let’s get married,
we’ve been alone too long.
Let’s be alone together.
Let’s see if we’re that strong.
Yeah let’s do something crazy,
something absolutely wrong
while we’re waiting
for the miracle, for the miracle to come.
Nothing left to do
when you know that you’ve been taken.
Nothing left to do
when you’re begging for a crumb
Nothing left to do
when you’ve got to go on waiting
waiting for the miracle to come.
When you’ve fallen on the highway
and you’re lying in the rain,
and they ask you how you’re doing
of course you’ll say you can’t complain –
If you’re squeezed for information,
that’s when you’ve got to play it dumb:
You just say you’re out there waiting
for the miracle, for the miracle to come.
Bonnie Tyler is most notable for her worldwide hits in the 1970s and 1980s such as “It’s a Heartache” but till now she is well known worldwide as one of rock and roll’s most appealing artists.
It’s a heartache
Nothing but a heartache
Hits you when it’s too late
Hits you when you’re down
It’s a fool’s game
Nothing but a fool’s game
Standing in the cold rain
Feeling like a clown
It’s a heartache
Nothing but a heartache
Love him till your arms break
Then he let’s you down
It ain’t right with love to share
When you find he doesn’t care, for you
It ain’t wise to need someone
As much as I depended on, you
It’s a heartache
Nothing but a heartache
Hits you when it’s too late
Hits you when you’re down
Its a fool’s game
Nothing but a fool’s game
Standing in the cold rain
Feeling like a clown
It ain’t right with love to share
When you find he doesn’t care, for you
It ain’t wise to need someone
As much as I depended on, you
It’s a heartache
Nothing but a heartache
Love him till your arms break
Then he lets you down
It’s a fool’s game
Standing in the cold rain
Feeling like a clown
It’s a heartache
Love him till your arms break
Then he lets you down
As far as my eyes can see
There are shadows approaching me
And to those I left behind
I wanted you to know
You’ve always shared my deepest thoughts
You follow where I go
And oh when I’m old and wise
Bitter words mean little to me
Autumn winds will blow right through me
And someday in the mist of time
When they asked me if I knew you
I’d smile and say you were a friend of mine
And the sadness would be lifted from my eyes
Oh when I’m old and wise
As far as my eyes can see
There are shadows surrounding me
And to those I leave behind
I want you all to know
You’ve always shared my darkest hours
I’ll miss you when I go
And oh, when I’m old and wise
Heavy words that tossed and blew me
Like autumn winds that will blow right through me
And someday in the mist of time
When they ask you if you knew me
Remember that you were a frined of mine
As the final curtain falls before my eyes
Oh when I’m old and wise
Wielka mi?o??, wielka si?a, zostajemy jej wierni na zawsze… Here is the final scene from Uprowadzenie Agaty (AKA Abduction of Agata / Hijacking of Agata / Hijacking Agatha) (1993)
Director Marek Piwowski
scenario Marek Piwowski
Photos Andrzej Jaroszewicz
music Seweryn Krajewski
Czekasz na t? jedn? chwil?,
serce jak szalone bije,
zrozumia?em, po co ?yj?,
wiem, ?e czujesz to co ja.
Ej, za krótko trwa godzina,
niech si? chwila ta zatrzyma,
moim szcz??ciem chc? nakarmi?
calutki ?wiat, zdziwiony tak.
Wielka mi?o?? nie wybiera,
czy jej chcemy nie pyta nas wcale,
wielka mi?o??, wielka si?a
zostajemy jej wierni na zawsze
Min? lata, gwiazdy zgasn?,
fotografie w g?owie zgasn?,
gdy nas ludzka z?o?? roz??czy
jak i tak odnajd? Ci?,
kiedy rozum ka?e zw?tpi?,
czekaj, zadr?y ?wiecy p?omie?
bo po drugiej rzeki stronie,
jak dobrze wiem, tam ogród jest.
Wielka mi?o?? nie wybiera,
czy jej chcemy nie pyta nas wcale,
wielka mi?o??, wielka si?a
zostajemy jej wierni na zawsze Czekasz na t? jedn? chwil?,
serce jak szalone bije,
zrozumia?em, po co ?yj?,
wiem, ?e czujesz to co ja.
Ej, za krótko trwa godzina,
niech si? chwila ta zatrzyma,
moim szcz??ciem chc? nakarmi?
calutki ?wiat, zdziwiony tak.
Wielka mi?o?? nie wybiera,
czy jej chcemy nie pyta nas wcale,
wielka mi?o??, wielka si?a
zostajemy jej wierni na zawsze
Min? lata, gwiazdy zgasn?,
fotografie w g?owie zgasn?,
gdy nas ludzka z?o?? roz??czy
jak i tak odnajd? Ci?,
kiedy rozum ka?e zw?tpi?,
czekaj, zadr?y ?wiecy p?omie?
bo po drugiej rzeki stronie,
jak dobrze wiem, tam ogród jest.
Wielka mi?o?? nie wybiera,
czy jej chcemy nie pyta nas wcale,
wielka mi?o??, wielka si?a
zostajemy jej wierni na zawsze
My two favorites – TINA TURNER and CARLOS SANTANA. Tina – with sales of 170 million albums and a phenomenal number of hit records to her career; River Deep, Mountain High, Proud Mary, What’s Love Got To Do With It, Better Be Good To Me, Typical Male, What You See is What You Get, Steamy Windows, We Don’t Need Another Hero, Goldeneye, The Best … Tina Turner is the most successful female rock artist of all time and the undisputed Queen of Rock N Roll. Carlos Santana – One of the more prominent figures to emerge from the lively West Coast rock scene of the late 60s, Carlos Santana was born into a family with a long history in the music field. He spent his early years in Mexico, receiving his first musical instruction from his father, a Mariachi violinist, who attempted for several years to train his son on the instrument. By the time he reached the age of eight, however, little Carlos had fallen under the influence of blues performers such as B. B. King and John Lee Hooker, and the violin was abandoned in favor of the guitar.
Tell me
Just what you want me to be
One kiss
And boom you’re the only one for me
So please tell me why
Don’t you come around no more?
‘Cause right now I’m cryin’
Outside the door
Of the candy store
It just takes a little bit of this, a little bit of that
It started with a kiss now we’re up to bat
A little bit of laughs, a little bit of pain
I’m tellin’ you my babe, its all in the game of love–
–Is
Whatever you make it to be
Sunshine instead of this cold, lonely sea
So please baby try
And you’ll live for what I’m good for
It ain’t sayin’ goodbye
Its knockin’ down the door
Of your candy store
You roll me, control me, console me
Please hold me!
You guide me, divide me into whole–yeah!
(Make me feel good–yeah!)
So please tell me why
Don’t you come around no more?
‘Cause right now I’m dyin’
Outside the door
Of your lovin’ store
Its all in this game of love, its all in the game of love
All in the game of love
(A little bit of this, a little bit of that)
You roll me, control me, please hold me
(A little bit of laughs, a little bit of pain)
And I’m here on my own…on my own
Hello darkness, my old friend,
Ive come to talk with you again,
Because a vision softly creeping,
Left its seeds while I was sleeping,
And the vision that was planted in my brain
Still remains
Within the sound of silence.
In restless dreams I walked alone
Narrow streets of cobblestone,
neath the halo of a street lamp,
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of
A neon light
That split the night
And touched the sound of silence.
And in the naked light I saw
Ten thousand people, maybe more.
People talking without speaking,
People hearing without listening,
People writing songs that voices never share
And no one deared
Disturb the sound of silence.
Fools said i,you do not know
Silence like a cancer grows.
Hear my words that I might teach you,
Take my arms that I might reach you.
But my words like silent raindrops fell,
And echoed
In the wells of silence
And the people bowed and prayed
To the neon God they made.
And the sign flashed out its warning,
In the words that it was forming.
And the signs said, the words of the prophets
Are written on the subway walls
And tenement halls.
And whisperd in the sounds of silence.
Known as “Little Miss Dynamite,” Brenda Mae Tarpley (a.k.a. Brenda Lee) were born in Lithonia, Georgia, December 11, 1944. She was blessed with a powerful voice that belied her samall size. She could sing rockabilly, country and pop standards with equal conviction, and her versatility as an interpreter has allowed her a career of extraordinary longevity. She is the kicking, countrified upstart of “Jambalaya” and “That’s All You Gotta Do,” the pert, jaunty rocker of “Sweet Nothin’s” and “Let’s Jump the Broomstick,” the heartbroken balladeer of “I’m Sorry” and “Break It to Me Gently,” the sophisticated songstress of “I Just Want to Be Wanted” and “You Can Depend on Me,” and the country storyteller of “Big Four Poster Bed” and “Nobody Wins.” She is also indelibly associated with the holiday season, as her 1958 recording of “Rockin’ Around the Christmas Tree” has become a standard that’s heard every year and is ensconced at #4 on the all-time list of popular seasonal records.
Maybe I didn’t treat you
Quite as good as I should have
Maybe I didn’t love you
Quite as often as I could have
Little things I should have said and done
I just never took the time
You were always on my mind
You were always on my mind
Maybe I didn’t hold you
All those lonely, lonely times
And I guess I never told you
I’m so happy that you’re mine
If I made you feel second best
Girl I’m so sorry I was blind
You were always on my mind
You were always on my mind
Tell me, tell me that your sweet love hasn’t died
Give me, give me one more chance to keep you satisfied, satisfied
Little things I should have said and done
I just never took the time
You were always on my mind
You were always on my mind
You were always on my mind